The Music And Financial Career Of Cassio Audi Takes Many Twists And Turns

There are few financial experts in the world who can have led an interesting and influential early careers as Cassio Audi now known as one of the world’s leading investment specialists on the developments in the Brazilian economy. For the majority of his fellow investors and clients following Cassio Audi’s tips and advice the heavy metal history of the Sao Paulo University Professor is rarely known or understood; in 1985, Audi joined forces with a group of his friends to become one of the leading figures in the development of the band, Viper, and Brazilian heavy metal.

Already a successful and well-known figure in the Sao Paulo music scene, Cassio Audi was asked to join Viper by its founding members in 1985 when he was already a member of two other local bands. Utilizing a drumming style based on his heroes from the British new-wave of heavy metal, Cassio Audi developed his career by performing with Viper during live performances and in recordings created by members of the band.

Learn more: https://www.metal-archives.com/artists/Cassio_Audi/81957

Cassio Audi appeared on a number of early Viper recordings, many of which were never meant to be released to the public but recorded to try out new songs. Bootleg copies of two homemade recordings were released as bootleg copies to an eager public in Sao Paulo and from across Brazil under the title, “The Killer Sword”. Read more about Cassio Audi at comhaha.com.

The success of the early demo recordings was followed by the release of the critically-acclaimed debut studio album, “Soldiers of Sunrise” in 1987. The band seemed set for global success before Cassio Audi made the decision to return to his education in 1989 as he followed his dream of becoming an investment specialist. Now an established figure in Brazil’s economy, Cassio Audi has been given the role of teaching capitalist theories to students at his own alma mater of Sao Paulo University. Read more at 12social.com.br about Cassio Audi.

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